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Brief History of the Womens Theatre Project

The Women’s Theatre Project was incorporated as a not for profit organization in May 2002.  The company was founded from a need for women’s voices to be heard, a desire to break down the stereotypes of women propelled by the media, and to create more professional theatrical opportunities for women of all shapes, sizes, races, and ages.

The Women’s Theatre Project began presenting staged readings throughout Broward County in the fall of 2001 and built a strong following throughout the entire South Florida region with this outreach.  In 2002, The Women’s Theatre Project participated in The Lysistrata Project (a worldwide reading for world peace) at the Broward Center for the Performing Arts. The Women’s Theatre Project continued to perform staged readings throughout the Broward Library system and, in 2003, created the First Annual Creative Women’s Festival at the Broward County Main Library.  In 2004, The Women’s Theatre Project debuted their first full-length theatrical production of The Anastasia Trials in the Court of Women by Carolyn Gage.  The play received critical acclaim and we sponsored a special appearance by the playwright for this World Premiere.  The Women’s Theatre Project also presented the Southeastern Premiere of Necessary Targets by Eve Ensler in 2004 through a community partnership developed with Miami-Dade College.  An internationally known activist and author of the Vagina Monologues, Ensler spoke to a standing-room-only audience at an event coordinated and sponsored by The Women’s Theatre Project at Miami-Dade College.  In 2005, we presented a revival of Necessary Targets, and the Southeastern Premieres of Hold Please by Annie Weisman and If We Are Women by Joanna McClelland Glass.  The Women’s Theatre Project continues its expansion by providing truly unique theatrical experiences showcasing artistic excellence with our 2006 season in Broward County, which includes the premieres of Bold Girls by Rona Munro, 6 Women Playwrights Turning 60 in 2006 (nationwide playwright festival), Dancing the God by Patricia Montley, Memory House by Kathleen Tolan, and Tongue of A Bird by Ellen McLaughlin. 

 

 

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